There was some resistance to doing this one at first. Another E.F.S. It’s essentially an amalgam of spaghetti and other westerns with the emphasis being on the title sequence of Fistful of Dollars, the vocals from Few Dollars More, a melody based on High Chaparral and over-the-top sound effects of Blazing Saddles.
East Of West Allotment
The title is (obviously) a play on the duff film, Krakatoa: East of Java – duff because the Krakatoa is west of Java which amused Jeff and me at school.
West Allotment is on the maps too.
Tell Me Why
Joint creation of Doomage and Strangely. Each had virtually the same effects. Importantly, a VCA/VCF with separate input and output for the internal LFO VCO. Also, a VCA fuzz box so that an input voltage would modulate the degree and tonality of fuzz.Each persons VCO LFO output was connected to the other’s VCA/ VCA-fuzz input. Then the VCO speeds were set to be close but not exact so that long period beat frequencies were initiated. The input sensitivities were turned right up to amplify internal noise. Then the outputs were sent through the mix with lots of cross-echo for each heavily panned source and a bit of extra bass to get a better thump noise…It is a helluva good rythmn. The plan was to do loads more like this. Percussion and screeches/shrieks were added on top to add a bit more atmosphere. The name is a pseudy rendition of Voodoo, pronounced the same.
The Mongolian Steak Bar
Strangely created. Comes from the verse intro of the Rod Stewart song, “If You Think I’m Sexy” mated to a few key Rachmaninov key changes. Fizz guitar works but Holly’s bass doesn’t. I just don’t think it should be a bass guitar, that’s all. Will redo bass part with a breathy bass saxophone and low bass keyboard rumbles.
When this tune was named, the name seemed pretty wacky. Since then there has been a Mongolian Restaurant down on the quayside in Newcastle for some years. However, at the time of recording, you went down “The Side” to the Quayside at night in pairs at least and there were only the “Crown Posada” and my auntie’s pub, the “Newcastle Arms” right under the Tyne Bridge. The back alleys were really dodgy. Now they are trendy housing developments. You should see it…
E.F.S. -which nobody can deny, which nobody can deny.
Heavy metal piss-take. Includes all the usual crap like riffs, solos, namings. A key part of the sound was Strangely’s use of a long hallway at “The Pits” with a cheap guitar amp at one end and a mike at the other. This was the Echo Chamber. Strangely gave it a go after reading how studios did echo in the old days.
The live feed was fed through the amp and re-injected into the mix from the mike. Then this was continuously varied to get a live feel of the audience moving around and the PA mixer guy constantly battling against feedback. It is exactly what gigs sounded like at the “Mayfair”, Newcastle in the 70’s. They’re still doing it now in the pubs round here. Anth played on this and thought it was real.
Doomage inspired. The essence was to have each instrument do a closely related, simple and repeating phrase, each on a different time signature but in the same key. Every so often the music is in phase and true harmony. This is broken up with a standard block chord middle eight prompted by Gazza on drums so each “verse” is of indeterminate length, done on the nod.
This was in the set for years.
Tom’s Bum (There’s)
Basic structure was a Doomage invention, worked up by the other band members.. Single note keyboards on top with bass & drums. Unusual musical phrasing. Haircut words. The words in Ashen are based on Haircut and Holly’s observation of the bartender in a pub in Backworth called “The Deuchars“. The barman had really greasy, lank straight hair that audibly clacked when he bent over to collect empty glasses. The Deuchars pops up in a few places. (Photo from https://www.monkchester.co.uk/backworth.htm)
We never did get the Dyke Neuk fitted in anywhere. Anyway, it’s too posh now.
Ashen was in the set for quite a few years.
What’s Your Noise
School hymn reworked – why not?
Paul sung. The rest is normal Crawling Chaos fiddling. We did have plans to do a few more as a package to upset the “Songs of Praise” mob.
Taste Of Honey
A fairly straight rendition of the classic. Loads of 7th’s. Nice fade in after the intro.
Fuel For The Blonde Ethiopian
A Holly creation from Nothin’, called Loofahs originally. The 442 was a red “United” bus that ran from Ashington to North Shields.
Doomage creation with Mackie vocals. I don’t think we ever did it live. Fast flanged vocals, fuzz bass, large depth VCA’d keyboards. Pretty daft. More a vehicle for Mackie to relieve himself of some bizarre fantasy.